فارسي
جمعه 22 آذر 1398
فارسي|Home|About Culture House|Language Classes|Contact Us|Archived News|Sitemap
IRAN
Azaan Timing

 

Events
Sight seeing of Iran

Tomb Of Hafez, Shiraz

Amir Chakhmaq Square, Yazd

Meidan Imam, Isfahan (1979)

Built by Shah Abbas I the Great at the beginning of the 17th century, and bordered on all sides by monumental buildings linked by a series of two-storeyed arcades, the site is known for the Royal Mosque, the Mosque of Shaikh Lotfollah, the magnificent Portico of Qaysariyyeh and the 15th-century Timurid palace. They are an impressive testimony to the level of social and cultural life in Persia during the Safavid era.

Long Description: The Royal Square of Isfahan is a monument of Persian socio-cultural life during the Safavid period (until 1722). It is an urban phenomenon which is an exception in Iran where the cities are ordinarily tightly parcelled without spatial fluidity, the exception being the interior courts of the caravanserais. It is an example of the form of naturally vulnerable urban architecture.

The Shah of the Iranian dynasty of the Safavids, Abbas, who reigned from 1587 to 1628, chose as his capital Isfahan, which he magnificently embellished and remodelled. The centre of the city was accented by a vast Royal Square (Meidan-e Shah) which was so beautiful and so large that it was called 'The Image of the World'.

It is bordered on each side by four monumental buildings linked by a series of two-storey arcades: to the north, the Portia of Qeyssariyeh (1602-19), to the south, the Royal Mosque (1612-30), to the east, the Mosque of Sheyx Loffollah (1602-18) and to the west, the pavilion of Ali Qapu, a small Timurid palace (15th century), enlarged and decorated by the shah and his successors.

Of particular interest is the Royal Mosque, which is grafted on to the south side of the square by means of deep and immense sectioned porch. It is crowned by a half dome, whose interior walls are dressed with enamelled faience mosaics, bound by two minarets, and prolonged to the south by an iwan (three-sided, vaulted hall open at one end), leading to an interior courtyard that describes a right angle. Thus, it is that, although it is in part on a north/south axis, the mosque is, in keeping with tradition, nonetheless, oriented north-east/south-east.

The pavilion of Ali'Qapu forms the monumental entrance to the palace zone and to the royal gardens which extend behind it. Its apartments, which are completely decorated with paintings and have wide exterior openings, are renowned. On the square is a high portal (48 m), flanked by several storeys of rooms and crowned by a covered terrace (talar), whose refined roofing is carried by thin wooden columns.

All of these architectural elements of the Meidan-e Shah, including the arcades, are adorned with a profusion of enamelled ceramic tiles with paintings, where the floral ornamental is dominant, flowering trees, ases, without a prejudice for the figured compositions in the style of Riza-i Abbasi, renowned both inside and outside of Persia, who was head of the school of painting at Isfahan during the reign of Shah Abbas. The Royal Mosque remains the most celebrated example of the colourful architecture which, in Iran, reached its height under the Safaw dynasty.

The Meidan-e Shah was the heart of the Safavid capital. Its vast sandy esplanade was used for promenades, assembling troops, playing polo, celebrations and for public executions. On all sides, the arcades house shops. Above the portal of the large bazaar of Qeyssariyeh is a tribune that accommodates musicians giving public concerts. The talar of Ali Qapu communicates, from behind, with the throne room where the king occasionally received ambassadors.

Refrence(s):

UNESCO: Iran (Islamic Republic of). Available From:

http://whc.unesco.org/en/statesparties/IR/

 

 

 

Vote
Disable
Visitors` Statistics
 Visitors of page : 549
 Visitors of day : 29
 Visitors sum : 432921
 Online visitors : 1
 Page load : 3.6406